Walk through a Zara store a couple of months post-fashion month, and you WILL do a double-take. 

Didn’t you just see that dress on the Paris runway? The silhouette looks the same, the print feels familiar, and even the styling seems lifted straight from a high-fashion Instagram post. 

Within months of a luxury debut, fast fashion giants like Zara, H&M, Shein, and Fashion Nova often have similar versions hanging on their racks..... at a fraction of the 🤑🤑🤑🤑.

I know this is an old issue that has well and truly been dissected every which way already, but I had to give my own take. This is a post I have been meaning to write for years.... the title languishing in my drafts folder, the ideas and arguments simmering in my mind. This argument is like many other fashion-related arguments I've had with my friends over the years. There's one that springs to mind now about the difference between high street and high-end fashion. These discussions make for brilliant blog topics for me, but I do hope the message or arguments I'm putting forth at least make you stop and think.

If you run to Chatgpt with an ever so cleverly crafted prompt for an answer to this question like i did 😂😂😂😂😂 please don't, Chatgpt or it's elk dont have eyes or feet to walk over to these high street stores to see what we can, they're not even designed to give you a right or wrong answer, instead they try to bothsides an issue by telling you how in recent decades, the lines have blurred and Luxury brands are no longer just setting the trends, but I'm sorry for me the issue is rather clear cut.

For years, the narrative has been that luxury fashion STEALS from the high street. 

But in recent decades, thanks to social media, it's influencers and the speed at which we get and consume information, the majority of these stories have been put to bed. Now, am I saying that there is NEVERRRRRR a case where such things can happen, of course not, but believe you me, the demand far outweighs the supply here. Add to that, real luxury fashion is not just about sending a beautiful piece down the runway, but also the attention to detail, fabric, and dart manipulation, etc, is what consumers of this particular genre of fashion are paying the big bucks for. Also, the copying and stealing from luxury fashion can be seen in cosmetics at the drugstore, footwear, furniture, etc. 

So, who’s really copying who? 

The fashion industry is sometimes a complex feedback loop where influence and imitation flow, but yet again, I'm stating here that I think it's disproportionate in one direction.

The Fast Fashion Machine

Fast fashion thrives on speed, accessibility, and dirt-cheap prices. 

The complete antithesis of luxury fashion. 

Brands like Zara and Mango are known for their ability to turn runway looks into wearable, affordable pieces within weeks. Shein has taken this to an extreme, using real-time data and algorithms to churn out hundreds of new designs daily, many eerily close to luxury or independent labels.

This strategy isn’t new. High street copying has existed since the golden age of couture. What has changed is the scale and speed. Social media accelerates the process: as soon as a celebrity wears a piece, consumers demand it, and the high street responds. Say it with me, boys and girls: CAPITALISM. 

A Balmain blazer with sharp shoulders appears on Beyoncé today, expect a $60 version on your Instagram feed or high street store by next month.

• Zara vs. Celine: Zara has repeatedly been compared to Celine for sleek, minimal tailoring.

• Shein controversies: Independent designers have called out Shein for replicating their designs stitch-for-stitch.

But the counterpoint is accessibility. Why should only the wealthy enjoy trends? Fast fashion allows consumers to experiment with style without the $5,000 price tag. From that angle, it’s less “stealing” and more “democratizing” as they tell us.

Luxury Fashion Copying the High Street????

So, unless you are blind, deaf and clueless, I'm guessing you already have a good idea where I stand on this debate. 

This is where my gripe with ChatGPT kicks into 3rd gear. To make an argument that luxury brands do the same thing, it uses the word inspired a lot.  

"In fact, many of today’s luxury collections are inspired by street style, subcultures, and even sportswear. Gucci’s logo t-shirts, Dior’s sneakers, Balenciaga’s oversized hoodies — all are examples of luxury lifting from everyday style and repackaging it as aspirational. What once “trickled down” from luxury to mass-market now also “trickles up” from the streets."

This is a direct copy of the argument it put forth, so let's dig deep,

 

All Fashion Takes Inspiration From Everyday Style and Subcultures 

The difference, IMHO, is that luxury brands can create entirely new and distinctive high-fashion concepts, unlike 95% of high street brands, which primarily exist to replicate or produce cheaper versions of luxury items. If you don't believe me, I encourage you to take a design course; you'll quickly discover that inspiration from your surroundings is essential, and how you interpret that inspiration is what makes your work unique.

When it comes to makeup, the situation is quite different. If you browse through TikTok, you'll come across countless "dupe" lists: for example, Revolution Beauty's $7 concealer is compared to Tarte's $30 Shape Tape, Elf's putty primer is touted as a match for Tatcha's Silk Canvas, and ColourPop shadows are said to rival Natasha Denona palettes. Drugstore brands openly create formulas and packaging that resemble luxury products, promoting accessibility and affordability as their major selling points. In this case, consumers benefit because they can achieve the same “look” without the luxury price tag. Unlike in fashion, where copying often leads to outrage, the beauty industry thrives on it. Dupes promote accessibility and, rather than stifling creativity, this cycle drives competition, innovation, and consumer choice.

Here's another open secret: many high street brands receive praise for their ability to replicate or adapt designs from luxury brands, even down to the colours. How often do we hear complaints from luxury brands about this? Sure, some have pursued legal action, but where are the significant victories?

Luxury designers argue that copying dilutes artistry. If a silhouette that took months of design work can be cheaply reproduced, what value remains in the original? Intellectual property law provides minimal protection in fashion—most clothing designs cannot be copyrighted; only logos and trademarks are protected.

This very dilemma, I believe, birthed the rise of collaborations between high fashion and high street brands. There are numerous examples of luxury brands providing the masses with their unique designs, high-quality tailoring, construction and fabrics at a mid-tier price point. 

CAPITALISM BABY💰💰💰💰💰

🔥 Iconic High Street x High-End Collabs

H&M (the true collab pioneer)

• Karl Lagerfeld x H&M (2004) – The one that started the craze. Sold out in hours.

• Stella McCartney x H&M (2005) – Brought Stella’s chic tailoring to the high street.

• Roberto Cavalli x H&M (2007) – Wild prints everywhere.

• Comme des Garçons x H&M (2008) – Quirky and avant-garde meets mainstream.

• Versace x H&M (2011) – Neon, studs, and full-on Versace drama.

• Balmain x H&M (2015) – One of the biggest ever. Crashed websites worldwide.

• Erdem x H&M (2017) – Romantic florals and luxe fabrics.

• Moschino x H&M (2018) – Playful, bold, and cartoon-inspired.

• Giambattista Valli x H&M (2019) – Tulle gowns at Zara prices.

Target (U.S. favourite for collabs)

• Isaac Mizrahi for Target (2003–2008) – An early game-changer.

• Proenza Schouler for Target (2007) – Cool-girl designers hitting mass market.

• Rodarte for Target (2009) – Tulle, lace, and a bit of edge.

• Missoni for Target (2011) – Literally crashed Target’s site and sold out in minutes.

• Jason Wu for Target (2012) – Classic and elegant at a friendly price.

• Lilly Pulitzer for Target (2015) – People fought in stores for this one.

Other Notable Collabs

• Uniqlo x Jil Sander (2009, and again 2020) – Minimalism perfected.

• Uniqlo x JW Anderson (2017–ongoing) – British quirk meets Japanese basics.

• Uniqlo x Marni (2022) – Artsy prints made wearable.

• Supreme x Louis Vuitton (2017) – Streetwear meets luxury (a true game-changer).

• Adidas x Gucci (2022) – Sportswear blended with heritage luxury.

Whether luxury brands like it or not, the masses outnumber their customers a hundred to one. So why not create future customers by sparking their interest? 

Even still, these sanctioned collaborations stir up controversy as people debate whether they blur the lines between high fashion and fast fashion. Are these collections a democratization of couture, or is it merely legitimizing the fast-fashion knockoff cycle? I say people should pick their battles. We can either stick to our cheap alternatives with poor construction, or we can be grateful for the opportunity to elevate our choices every once in a while.

So, who copies/steals from whom?

It's undeniable, even to those who cannot see, that the high street fashion industry increasingly "draws inspiration" from high fashion at an alarming rate. Fast fashion thrives on reinterpreting luxurious styles quickly, making couture-inspired looks accessible to the masses. Luxury sets aspirational ideals, while the high street translates these into products for mass consumption. This raises an ethical question: Is this a form of democratization or exploitation?

For me personally, the issue goes beyond merely asking "who copies whom." Instead, we should consider "what does copying at this scale mean for creativity, innovation, individuality, accessibility, and culture?"

In today’s hyperconnected world, copying has evolved beyond mere imitation; it has become a form of conversation that deserves more critical thought. If you haven’t noticed, individuality seems to be fading. We’re all starting to look the same, from our fashion choices to our makeup; everything appears uniform. Thanks to some of the world’s top marketing agents, namely fashion influencers, large hordes of people around the globe are adopting similar looks. Personally, I don’t think this is a positive trend.

While fashion and beauty do evolve and influence flows in every direction, it’s time to ask ourselves where we are heading. Yes, these high street collaborations may offer some solutions, but I believe we can do better.

                                               

                                                               

Hello,

Suffice it to say, I feel horrible that this is my first blog post of the new year.

Last year put a serious spanner into the wheel of everyone's plans, mine included.

But ironically, I think this is a good segway into my sewing plans for the year. I started sewing mostly in collections last year, and, I have decided to stick with it this year.

It is a very good way of developing a cohesive wardrobe, I can't tell you how much it has helped with the "having nothing to wear" feeling.

Everything matches and flows together, getting dressed is a breeze.

Although, I don't think I can say that about this new collection.

HERE'S WHAT I MEAN

The fashion collection for this year is an Ankara collection, which I'm calling the LOUD CULTURE COLLECTION.

I feel it's quite apt because let's be honest here, ankara is bold, colourful, busy sooooooo, LOUD is the perfect description.

And, ankara is very much part of our culture as Africans even if it isn't our original attire.

Now because I wanted to shop from my stash ( I have tons of ankara given to me as gifts & leftovers from some past projects) and by the very nature of ankara, getting pieces to coordinate colourwise or even design-wise would have been a monumental task, and, the project would never have happened.

So, I decided that the fact that the major pieces of the collection were ankara was enough to call it a collection.

I am very happy that I decided to give this particular collection a go. My ankara wardrobe right now is very pitiful for an African girl.

 I have been dying to change that. And I said as much in my video about my sewing intentions for the new year.

My sewing plans for this collection are kinda dope ( if I do say so myself, LOL). I have pencil skirts, bucket kimono jackets, mic and match prints etc.

But don't take my word for it. Check out the video, and tell me what you think.

Would you change anything?  I need urgent ideas for tops to make.

DON'T FORGET TO DROP YOUR EMAIL BELOW & START YOUR SEWING JOURNEY.

SEE YOU THERE.

                                                  

Hello,

It's another post for my Minerva make.

This time I tackled one of my 2019 sewing goals, which was to give trousers a good try to make my wardrobe more complete & versatile.

This fabric & trouser is also part of personal fashion collection. A project which started this year because of the pandemic.

 I decided not to let current situations weigh me down or dictate my mental state.

It's been really wonderful growing my sewing skills.

It's not been easy at all & I think I do still need some fine tuning but it's my first cut & sewn by me fitted trousers.

Read all about it HERE

I've also made other things with fabric from Minerva HERE & HERE

Thank you all for your continued support.

Happy Sewing.

Hello

I seem to be on a roll with these blog posts 🤣🤣🤣🤣🤣

I made something else curtsey of my friends at Minerva.

You can read all about it HERE.